Showing posts with label Dharma Productions. Show all posts
Showing posts with label Dharma Productions. Show all posts

MOVIE REVIEW: I Hate LUV Storys


    The first thing that attracts you to I HATE LUV STORYS is its title. Let's face it, we adore love stories... at least I do. We idolise the characters decades after the movies have come and gone. The songs that come on our lips instantly while playing a game of antakshri are romantic songs as well. In fact, the biggest moneyspinners, let's face it, have been love stories, right? So how can we 'hate' a love story?

    No matter how mushy or cheesy they are, we find love stories irresistible because of the tremendous rush we experience at the end. Some of us are big suckers for love sagas, aren't we? That's precisely the reason why this title [I HATE LUV STORYS] nagged me no end every time I watched the promo of this film.

    Helmed by first-timer Punit Malhotra, I HATE LUV STORYS is typical candyfloss romance with a story that's not jaw-droppingly different, let me forewarn you. But if you're young at heart or a diehard and hopeless romantic, you'd lap up I HATE LUV STORYS like a kid laps up his fav candy.

    Now to the vital question: If I HATE LUV STORYS rests on a thin plot, what is it that drives the film for the next two hours? My answer to that is, four factors: The fresh pairing and chemistry between the lead cast, tremendous youth appeal, terrific music and magical moments that make a love story work.

    Final word? The makers have never claimed that I HATE LUV STORYS will change the face of Hindi cinema. Nor did they ever claim that I HATE LUV STORYS will change the mindset of the viewer towards romantic films. So let's sit back and enjoy the fun ride. This one's by the youth, for the youth. It's this age-group that would come out smiling, cheering and rooting for this prem kahani.

    'I hate love stories' is the maxim Jay [Imran Khan] lives by. But as an assistant director to Veer [Samir Soni], the most famous romantic film-maker of Indian film industry, Jay has little option but to live with larger than life, glossy, cinematic love on an everyday basis. Things only get worse when he is made to work under the new production designer on the film, Simran [Sonam Kapoor], with whom he shares the strangest first encounter.

    Simran loves love stories, so much so that even her life has begun to resemble one. With her ideal job and the perfect boyfriend Raj [Samir Dattani], she lives a blissful, dreamy life. One that is rudely interrupted by Jay's cynicism.

    Writer-director Punit Malhotra wins Round 1 by casting the right actors in the roles of Jay and Simran. In fact, it wouldn't be erroneous to state that the casting is the trump card of this film. But what Punit ought to know by now is that every story ought to have a strong grip to keep your attention arrested for the next two hours. In this case, the film rests on a waferthin plot, with not much movement in the story in the first hour. In fact, the story barely moves in the first part.

    Yes, post-interval, the story does gather momentum and though you're well aware of the journey and what the culmination will be like, you don't mind the ride because you can't take your eyes off Imran and Sonam. Also, a love story works if one pines for the on-screen lovers and in I HATE LUV STORYS, you genuinely want the duo to sort things out, which means that you're involved in their lives. Even the finale - it won't be fair on my part to reveal how this movie concludes - may be filmy or cliched, but let's face it, it works.

    Let me draw parallels with another love story, also starring Imran Khan. Recall the finale of JAANE TU YA JAANE NA, which had Imran riding a horse to reach his sweetheart [Genelia] at the airport. I distinctly recall, a lot of people found the end bizzare and rightly so. Can you imagine anyone galloping to the international airport in Mumbai? But I was truly surprised when I learnt that the youth were whistling and clapping all through. The finale is different here [no horses, please] and you exit the auditorium with a smile on your face.

    Director Punit Malhotra is heavily inspired by Mills & Boon novels and several Bollywood films... love stories all. But like I pointed out earlier, Punit needs to polish his writing skills, although the director in him bails the writer out and takes the film to a different level. The sequences between Imran and Sonam are well penned, but the ones between Sonam and her parents or Sonam and Samir Dattani are half-baked. Directorially, Punit shows super-confidence in moulding the two actors in their respective parts, so much so that you get sucked into Jay and Simran's world after a while.


    A love story ought to be embellished with a lilting score - that's a compulsion - and Vishal-Shekhar are in true form this time. The score is trendy, energetic and beyond fantastic and what's more, it's already a rage. In fact, the musical score only takes the movie a step ahead. Ditto for Salim-Sulaiman's background score, which matches the mood to the T. Ayananka Bose's cinematography is awesome. The ace DoP proved his credentials in KITES recently and with I HATE LUV STORYS, he should find himself entrenched in the top bracket. The styling [Manish Malhotra] is top notch.

    Imran enacts his part effortlessly. Though the role doesn't demand histrionics, you keep reacting to Imran because of the magnetism he radiates. The devilish streak in his character is sure to appeal to the youth. Besides, Imran has been photographed and presented very well. Sonam is a revelation. From salwars [SAAWARIYA, DELHI 6] to skirts in I HATE LUV STORYS, Sonam finally gets a role that does justice to her as an actress. The ease and class with which she carries off the glam look is fantastic. She's like a whiff of fresh air and you actually wonder, is she the same girl from SAAWARIYA and DELHI 6? In fact, I HATE LUV STORYS will only multiply Imran and Sonam's fan base manifold.

    Samir Dattani is decent, although his role gets sidelined as the story moves forward. Samir Soni's character reminds you of a certain hi-profile director and he plays the part extremely well. Kavin Dave, as Imran's buddy, is first-rate and steals the show in several scenes. Aamir Ali is perfect, while Pooja Ghai doesn't get scope to deliver. Bruna Abdullah looks sensuous and adds to the glam quotient. Ketaki Dave [Sonam's mother] is wasted. Anju Mahendru [Imran's mother] is adequate.

    On the whole, I HATE LUV STORYS is a young and vibrant love story with tremendous appeal for the yuppies. The fresh pairing and the on-screen electrifying chemistry, the lilting musical score and the magical moments in the film should attract its target audience - the youth - in hordes. If you're young or young at heart, this one's for you!

    RATING: 3.5/5
    Source URL: https://threemoonsevolving.blogspot.com/search/label/Dharma%20Productions
    Visit Future Design Interior for daily updated images of art collection

Kurbaan - Movie Review

    Post 9/11, there's anger, distrust, suspicion, uneasiness all around. Not a day passes when you don't hear of terrorists killing civilians in the name of religion.

    Many storytellers have, in the past, narrated stories about terrorists and their nefarious and despicable plans. But let me state one thing categorically. You haven't watched a more profound, a more thought-provoking, a more dramatic story on this subject before KURBAAN. It's not just the most powerful film to come out of Dharma Productions, it's the most powerful film to come out of the Hindi film industry this year, thus far.

    KURBAAN tries to penetrate into the psyche of not just the terrorist, but also someone who has been a helpless spectator all this while. This film is sure to spark off discussions and debates, although it must also be noted that it doesn't take sides or gets preachy.

    Rensil D'Silva has chosen a burning issue for his directorial debut, which is a complete departure from Karan Johar's earlier films. For some inexplicable reasons, parallels are being drawn with FANAA [Aamir Khan, Kajol] and NEW YORK [John Abraham, Neil Nitin Mukesh, Katrina Kaif], but the fact remains that barring the backdrop of terrorism, there's no similarity with those films.

    I've often felt that certain films are beyond box-office. Movies are not meant to merely entertain, but enlighten and educate as well. They need to prick your conscience and in the process, make an attempt to make this world a better place. KURBAAN does just that and for this very reason, it deserves a double thumbs up.

    Final word? Drop everything else you're doing to watch KURBAAN. Movies like these need to be made, encouraged and lauded.

    Avantika [Kareena Kapoor] is a teacher at a university in Delhi. She has come back from New York where she teaches, because her father [Aakash Khurana] has suffered a heart attack. During this period, she meets a Professor called Ehsaan Khan [Saif Ali Khan]. Soon, they begin seeing each other and love blossoms.

    A few months later, Avantika receives a call from her university in New York, asking her to come back. Avantika breaks the news to Ehsaan. He, in turn, tells her he doesn't mind coming to the States with her. But first they need to get married.

    Soon after the marriage, they leave to start a new life in New York. They buy a house in an Indian neighbourhood and move in. Just as they are setting up home, their conservative Muslim neighbours invite them over for dinner. The next morning, Salma [Nauheed Cyrusi], one of the women Avantika met the night before at the dinner, visits her under the pretext of gifting her sweets.

    When Avantika invites her in, Salma tells her that she is in grave danger. Nothing is what it seems. Salma pleads with Avantika to help her. What follows next is a series of incidents that sucks Avantika into a vortex of danger and intrigue. As her life spirals out of control, Avantika realizes that she is a pawn in a huge game.

    KURBAAN has two stories running concurrently - the love story between Saif and Kareena and the story of Islamic terrorists. Rensil sets the stage in the initial 15 minutes itself, after which there's a twist in the tale every 15-20 minutes, which catches you completely unaware. Rensil doesn't borrow from the past, which makes the proceedings thoroughly captivating.

    The highpoint is the 35-minute climax, which leaves you spellbound. The culmination to the story shakes you completely, largely because it's pragmatic and has been executed most logically as well. In fact, filming the climax at the various underground tube stations must've been the toughest challenge for the director.

    On the flip side, KURBAAN caters more to the intelligentsia or the thinking viewer and might not be lapped up whole-heartedly by those who survive on the staple diet of hardcore masala fares.

    Some of the finest technicians in the business are associated with KURBAAN. Hemant Chaturvedi's cinematography is super. The film bears an international look all through. Salim-Sulaiman's music is well integrated in the narrative. At least two tracks merit a mention - 'Shukran Allah' and 'Ali Maula'. Anurag Kashyap and Niranjan Iyengar's dialogue are superb. The lines enhance the impact of several sequences. Thrills are, again, in sync with the mood of the film.

    KURBAAN is embellished with superlative performances. Saif is extra-ordinary in a role that only proves his versatility once again. If he won your heart with a winning performance in LOVE AAJ KAL a few months ago, you need to watch this supremely talented actor underplay his part so beautifully in KURBAAN. As for Kareena, KURBAAN reiterates one fact yet again: She's the best in the business. No two opinions on that! Watch her get those emotional sequences right, it's incredible. Here's a performance that truly merits the highest praise and admiration, besides fetching her awards and accolades.

    Vivek Oberoi is fantastic. Matching Saif and Kareena at every step, KURBAAN should be the turning point in Vivek's career. It's a difficult role to portray and only an actor with a wide range could've portrayed this part so effectively. Om Puri is top notch and so is Kirron Kher. Kirron is marvellous, especially in the penultimate scene. Dia Mirza, Nauheed Cyrusi and Kulbhushan Kharbanda lend credibility to their brief roles.

    On the whole, KURBAAN is the most powerful film to come out of the Hindi film industry in 2009, so far. The film has a captivating plot, gripping screenplay, super performances and a climax that shakes you up completely. Watching this movie should be on top of your agenda this week.
    Source URL: https://threemoonsevolving.blogspot.com/search/label/Dharma%20Productions
    Visit Future Design Interior for daily updated images of art collection

Kurbaan - Movie Review

    Post 9/11, there's anger, distrust, suspicion, uneasiness all around. Not a day passes when you don't hear of terrorists killing civilians in the name of religion.

    Many storytellers have, in the past, narrated stories about terrorists and their nefarious and despicable plans. But let me state one thing categorically. You haven't watched a more profound, a more thought-provoking, a more dramatic story on this subject before KURBAAN. It's not just the most powerful film to come out of Dharma Productions, it's the most powerful film to come out of the Hindi film industry this year, thus far.

    KURBAAN tries to penetrate into the psyche of not just the terrorist, but also someone who has been a helpless spectator all this while. This film is sure to spark off discussions and debates, although it must also be noted that it doesn't take sides or gets preachy.

    Rensil D'Silva has chosen a burning issue for his directorial debut, which is a complete departure from Karan Johar's earlier films. For some inexplicable reasons, parallels are being drawn with FANAA [Aamir Khan, Kajol] and NEW YORK [John Abraham, Neil Nitin Mukesh, Katrina Kaif], but the fact remains that barring the backdrop of terrorism, there's no similarity with those films.

    I've often felt that certain films are beyond box-office. Movies are not meant to merely entertain, but enlighten and educate as well. They need to prick your conscience and in the process, make an attempt to make this world a better place. KURBAAN does just that and for this very reason, it deserves a double thumbs up.

    Final word? Drop everything else you're doing to watch KURBAAN. Movies like these need to be made, encouraged and lauded.

    Avantika [Kareena Kapoor] is a teacher at a university in Delhi. She has come back from New York where she teaches, because her father [Aakash Khurana] has suffered a heart attack. During this period, she meets a Professor called Ehsaan Khan [Saif Ali Khan]. Soon, they begin seeing each other and love blossoms.

    A few months later, Avantika receives a call from her university in New York, asking her to come back. Avantika breaks the news to Ehsaan. He, in turn, tells her he doesn't mind coming to the States with her. But first they need to get married.

    Soon after the marriage, they leave to start a new life in New York. They buy a house in an Indian neighbourhood and move in. Just as they are setting up home, their conservative Muslim neighbours invite them over for dinner. The next morning, Salma [Nauheed Cyrusi], one of the women Avantika met the night before at the dinner, visits her under the pretext of gifting her sweets.

    When Avantika invites her in, Salma tells her that she is in grave danger. Nothing is what it seems. Salma pleads with Avantika to help her. What follows next is a series of incidents that sucks Avantika into a vortex of danger and intrigue. As her life spirals out of control, Avantika realizes that she is a pawn in a huge game.

    KURBAAN has two stories running concurrently - the love story between Saif and Kareena and the story of Islamic terrorists. Rensil sets the stage in the initial 15 minutes itself, after which there's a twist in the tale every 15-20 minutes, which catches you completely unaware. Rensil doesn't borrow from the past, which makes the proceedings thoroughly captivating.

    The highpoint is the 35-minute climax, which leaves you spellbound. The culmination to the story shakes you completely, largely because it's pragmatic and has been executed most logically as well. In fact, filming the climax at the various underground tube stations must've been the toughest challenge for the director.

    On the flip side, KURBAAN caters more to the intelligentsia or the thinking viewer and might not be lapped up whole-heartedly by those who survive on the staple diet of hardcore masala fares.

    Some of the finest technicians in the business are associated with KURBAAN. Hemant Chaturvedi's cinematography is super. The film bears an international look all through. Salim-Sulaiman's music is well integrated in the narrative. At least two tracks merit a mention - 'Shukran Allah' and 'Ali Maula'. Anurag Kashyap and Niranjan Iyengar's dialogue are superb. The lines enhance the impact of several sequences. Thrills are, again, in sync with the mood of the film.

    KURBAAN is embellished with superlative performances. Saif is extra-ordinary in a role that only proves his versatility once again. If he won your heart with a winning performance in LOVE AAJ KAL a few months ago, you need to watch this supremely talented actor underplay his part so beautifully in KURBAAN. As for Kareena, KURBAAN reiterates one fact yet again: She's the best in the business. No two opinions on that! Watch her get those emotional sequences right, it's incredible. Here's a performance that truly merits the highest praise and admiration, besides fetching her awards and accolades.

    Vivek Oberoi is fantastic. Matching Saif and Kareena at every step, KURBAAN should be the turning point in Vivek's career. It's a difficult role to portray and only an actor with a wide range could've portrayed this part so effectively. Om Puri is top notch and so is Kirron Kher. Kirron is marvellous, especially in the penultimate scene. Dia Mirza, Nauheed Cyrusi and Kulbhushan Kharbanda lend credibility to their brief roles.

    On the whole, KURBAAN is the most powerful film to come out of the Hindi film industry in 2009, so far. The film has a captivating plot, gripping screenplay, super performances and a climax that shakes you up completely. Watching this movie should be on top of your agenda this week.
    Source URL: https://threemoonsevolving.blogspot.com/search/label/Dharma%20Productions
    Visit Future Design Interior for daily updated images of art collection

Karan ki Kurbaani

    Both Kurbaan and New York are about terrorism, but that doesn’t mean they have the same story.

    The backdrop of global terrorism is the common factor, but the narrative structure and the characters are very different in the two films. Adi and I are best friends so we aren’t stupid to make films with the same story. I hope audiences like Kurbaan,’ clarifies Karan Johar.

    Kabhie Alvida Naa Kehna in 2006 was the last film KJo directed and MNIK is now in post production to release in 2010. In the meanwhile, Wake Up Sid! and Dostana were only produced by him and directed by newcomers Ayan Mukerji and Tarun Mansukhani respectively. ‘Tarun, Ayan and Siddarth Malhotra have assisted me on my films. So I know them. I always choose my ADs after immense consideration because I don’t want people simply occupying space in my office. They have to be talented and they have to stay. I don’t want them to do one film with Dharma and leave. I am only going to work with new directors and some of them have a three-film contract with Dharma. I don’t want to work with established directors,’ he says, adding, ‘I am very happy with the results of Wake Up Sid! and Dostana and excited about the upcoming films.’

    Karan had the plot of Kurbaan ready way back in 2001 and the film was going to be called Kaal. Sanjay Dutt, SRK and Tabu were to be part of it but the film never materialized. ‘That Kaal never got made. I shared the story idea with Rensil and he built a screenplay around it, which resulted in Kurbaan starring Saif and Kareena. From the onset, we wanted them to star in it. I love the way the film has turned out,’ comments Karan.

    About Kurbaan’s director, Rensil D’silva, KJo says, ‘Rensil and I first interacted on the screenplay and story of Kurbaan. I felt that he had a desire to direct a film and I respected his aesthetics and writing, so that is how Kurbaan happened.’
    Source URL: https://threemoonsevolving.blogspot.com/search/label/Dharma%20Productions
    Visit Future Design Interior for daily updated images of art collection

Karan ki Kurbaani

    Both Kurbaan and New York are about terrorism, but that doesn’t mean they have the same story.

    The backdrop of global terrorism is the common factor, but the narrative structure and the characters are very different in the two films. Adi and I are best friends so we aren’t stupid to make films with the same story. I hope audiences like Kurbaan,’ clarifies Karan Johar.

    Kabhie Alvida Naa Kehna in 2006 was the last film KJo directed and MNIK is now in post production to release in 2010. In the meanwhile, Wake Up Sid! and Dostana were only produced by him and directed by newcomers Ayan Mukerji and Tarun Mansukhani respectively. ‘Tarun, Ayan and Siddarth Malhotra have assisted me on my films. So I know them. I always choose my ADs after immense consideration because I don’t want people simply occupying space in my office. They have to be talented and they have to stay. I don’t want them to do one film with Dharma and leave. I am only going to work with new directors and some of them have a three-film contract with Dharma. I don’t want to work with established directors,’ he says, adding, ‘I am very happy with the results of Wake Up Sid! and Dostana and excited about the upcoming films.’

    Karan had the plot of Kurbaan ready way back in 2001 and the film was going to be called Kaal. Sanjay Dutt, SRK and Tabu were to be part of it but the film never materialized. ‘That Kaal never got made. I shared the story idea with Rensil and he built a screenplay around it, which resulted in Kurbaan starring Saif and Kareena. From the onset, we wanted them to star in it. I love the way the film has turned out,’ comments Karan.

    About Kurbaan’s director, Rensil D’silva, KJo says, ‘Rensil and I first interacted on the screenplay and story of Kurbaan. I felt that he had a desire to direct a film and I respected his aesthetics and writing, so that is how Kurbaan happened.’
    Source URL: https://threemoonsevolving.blogspot.com/search/label/Dharma%20Productions
    Visit Future Design Interior for daily updated images of art collection

'Wake Up Sid' wakes up the box office

    Ranbir starrer sidelines Govinda’s ‘Do Knot Disturb'



    Debutant director Ayan Mukerji's charming "Wake Up Sid" about a young man and a woman five years older has not only wowed critics but pulled in the crowds too, sidelining the Govinda starrer "Do Knot Disturb".

    The box office received a shock with Ashutosh Gowarikar's "What's Your Raashee" that released on Sept 25 but proved to be tedious for audiences with its length and 13 songs.

    But the buzz is back with "Wake Up Sid", starring Ranbir Kapoor and Konkona Sen Sharma, that released on Friday (Oct 2) along with "Do Knot Disturb".

    "'Wake Up Sid' is doing extremely well. We've had an occupancy of more than 90 percent across 17 shows over the initial weekend and it is still going strong while 'Do Knot Disturb' had only a two-day run with close to 75 percent despite 16 shows," Amit Awasthi, manager (programming and operations) of Spice Cinemas at Noida, told IANS.

    "We are expecting 'Wake Up Sid' to continue a good run at least until the Diwali weekend, which has major releases like 'Blue', 'Main Aurr Mrs. Khanna' and 'All The Best'. Though we have 'Acid Factory' on Oct 9, we are sincerely doubtful about its future in multiplexes," he added.

    Made at a budget of around Rs.15 crore (Rs.150 million), "Wake Up Sid" has been produced by Dharma Productions Pvt Ltd and distributed by UTV Motion Pictures with around 700 prints worldwide.

    "'Wake Up Sid' has had a very good occupancy and opening over the first weekend. It is a different movie for different people and is totally a multiplex movie. It is going to have an extended play," said a source from PVR Cinemas.

    "It has done what 'Rock On!!' did last year... it has evoked people's hidden past and is so associative. While 'Do Knot Disturb', despite having almost the equal number of shows as the former (around six each per property) did have a good opening, but it fell flat in no time," the source added.

    "Do Knot Disturb" has been co-produced by Vashu Bhagnani and Big Pictures and directed by David Dhawan. Released across 1,060 screens worldwide, it stars Govinda, Sushmita Sen, Lara Dutta and Riteish Deshmukh.

    Yogesh Raizada, corporate head (cinemas) of Wave Cinemas, however, thinks it is too early to tell.

    "We kept around 10 shows each for both the movies across different properties and the result has been around 60 and 80 percent respectively for 'Do Knot Disturb' and 'Wake Up Sid'," said Raizada.

    "The response for the latter has been very good and this one is in fact sustaining too but, as far as the long run is concerned, nothing can be said as the business has mostly been done during the initial weekend," he added.
    Source URL: https://threemoonsevolving.blogspot.com/search/label/Dharma%20Productions
    Visit Future Design Interior for daily updated images of art collection

'Wake Up Sid' wakes up the box office

    Ranbir starrer sidelines Govinda’s ‘Do Knot Disturb'



    Debutant director Ayan Mukerji's charming "Wake Up Sid" about a young man and a woman five years older has not only wowed critics but pulled in the crowds too, sidelining the Govinda starrer "Do Knot Disturb".

    The box office received a shock with Ashutosh Gowarikar's "What's Your Raashee" that released on Sept 25 but proved to be tedious for audiences with its length and 13 songs.

    But the buzz is back with "Wake Up Sid", starring Ranbir Kapoor and Konkona Sen Sharma, that released on Friday (Oct 2) along with "Do Knot Disturb".

    "'Wake Up Sid' is doing extremely well. We've had an occupancy of more than 90 percent across 17 shows over the initial weekend and it is still going strong while 'Do Knot Disturb' had only a two-day run with close to 75 percent despite 16 shows," Amit Awasthi, manager (programming and operations) of Spice Cinemas at Noida, told IANS.

    "We are expecting 'Wake Up Sid' to continue a good run at least until the Diwali weekend, which has major releases like 'Blue', 'Main Aurr Mrs. Khanna' and 'All The Best'. Though we have 'Acid Factory' on Oct 9, we are sincerely doubtful about its future in multiplexes," he added.

    Made at a budget of around Rs.15 crore (Rs.150 million), "Wake Up Sid" has been produced by Dharma Productions Pvt Ltd and distributed by UTV Motion Pictures with around 700 prints worldwide.

    "'Wake Up Sid' has had a very good occupancy and opening over the first weekend. It is a different movie for different people and is totally a multiplex movie. It is going to have an extended play," said a source from PVR Cinemas.

    "It has done what 'Rock On!!' did last year... it has evoked people's hidden past and is so associative. While 'Do Knot Disturb', despite having almost the equal number of shows as the former (around six each per property) did have a good opening, but it fell flat in no time," the source added.

    "Do Knot Disturb" has been co-produced by Vashu Bhagnani and Big Pictures and directed by David Dhawan. Released across 1,060 screens worldwide, it stars Govinda, Sushmita Sen, Lara Dutta and Riteish Deshmukh.

    Yogesh Raizada, corporate head (cinemas) of Wave Cinemas, however, thinks it is too early to tell.

    "We kept around 10 shows each for both the movies across different properties and the result has been around 60 and 80 percent respectively for 'Do Knot Disturb' and 'Wake Up Sid'," said Raizada.

    "The response for the latter has been very good and this one is in fact sustaining too but, as far as the long run is concerned, nothing can be said as the business has mostly been done during the initial weekend," he added.
    Source URL: https://threemoonsevolving.blogspot.com/search/label/Dharma%20Productions
    Visit Future Design Interior for daily updated images of art collection

Wake Up Sid - Movie Review

    Recall those years when partying hard was the only agenda on your list. Recall those years when staying awake at nights, chatting away with friends became a habit. Recall those years when bunking college and sneaking into movie halls was more exciting than books. Recall those years when you were completely clueless and aimless about the vocation you wanted to pursue once you graduated… That indecisive phase when you were hesitant to take that first big step in life can never be erased from your memory.

    WAKE UP SID, directed by debutante Ayan Mukerji, is like revisiting those years that lay at some remote corner of your mind, after you moved on in life.

    Actually, WAKE UP SID is a slice of life film. It's not merely real in concept, but has also been told most realistically, so much so that you can't help but draw parallels with your life or with someone you know. But what really makes WAKE UP SID most believable is Ranbir Kapoor, who's mastered the craft at such a young age.

    Verdict? WAKE UP SID mirrors those years with flourish. This one's a simple story that strikes a chord instantly. Strongly recommended!

    WAKE UP SID tells the story of Siddharth aka Sid [Ranbir Kapoor], a lazy, unmotivated slacker from Mumbai whose life undergoes a series of changes after taking his final year college exams. Sid's world is breezy, carefree and without any true responsibilities.

    Sid thrives around his two best friends, Rishi [Namit Das] and Laxmi [Shikha Talsania], very rarely communicates with his mother Sarita [Supriya Pathak] and takes his father Ram Mehra [Anupam Kher] and all his hard-earned wealth for granted. Despite all these traits, Sid is an honest boy; sweet, funny and above all, a good friend.

    Aisha Bannerjee [Konkona Sen Sharma], an aspiring writer from Kolkata, learns this soon enough when her path crosses with Sid's on her first day in Mumbai. Ambitious, well-read and driven, Aisha has come to Mumbai to realize her dreams as a writer. Despite their contrasting personalities, Sid becomes Aisha's first friend in the city.

    As Aisha sets up her life in Mumbai, with the help of Sid and his gang, Sid allows for time to fly by over long drives, parties that stretch well into dawn, and endless hours doing absolutely nothing. But a series of circumstances and events compel him to take stock of his life and take a hard look at himself.

    Let's not compare WAKE UP SID with anything you've watched before. Not DIL CHAHTA HAI. Not LAKSHYA either. Debutante director Ayan Mukerji narrates a story that you can relate to instantly and treats it with utmost care. A few moments linger in your memory and evoke bitter-sweet memories.

    The first hour, right till the intermission, sweeps you off your feet. You get drawn into Sid's world instantaneously; you react to everything he does. But the post-interval portions slackens, courtesy the writing. The Rahul Khanna track, for instance, looks half-baked. Also, the story stagnates after a point and hence, the pacing gets very slow. It's only towards the finale that things perk up. Ideally, the film could've done with some trimming in this hour.

    Ayan Mukerji packs in a solid punch in most parts of the film. The emotional moments especially gets you all moist-eyed. The humour too is well integrated in the sequences. Even the confrontation between the father and son is superb. Prior to that Konkona's birthday sequence is amongst the finest sequences of the film. Music [Shankar-Ehsaan-Loy] is melodious. Anil Mehta's cinematography is top notch. Niranjan Iyengar's dialogues are just right.

    There's no denying that Ranbir Kapoor is a supremely talented actor, but in WAKE UP SID, he proves that he's amongst the best in the business today. No one could've portrayed Sid as effectively as Ranbir has enacted, that's for sure. This is an award-worthy performance.

    Konkona is natural to the core and the best part is, she's so effortless. Here's another winning performance from this incredible performer. Anupam Kher is wonderful. Ditto for Supriya Pathak. Both shine in their respective parts. Namit Das and Shikha Talsania are perfect. Rahul Khanna doesn't get any scope.

    On the whole, WAKE UP SID is a well-made film that should strike a chord with the youth mainly. A metro-centric film, the film should attract its target audience and should also prove to be the first choice of the elite/urban audience this Friday. Its distributors [UTV] have very rightly released the film at plexes of metros and mini-metros [instead of flooding the market with physical and digital prints], which in turn should only make this small film talked-about in days to come. Thumbs Up!
    Source URL: https://threemoonsevolving.blogspot.com/search/label/Dharma%20Productions
    Visit Future Design Interior for daily updated images of art collection

Wake Up Sid - Movie Review

    Recall those years when partying hard was the only agenda on your list. Recall those years when staying awake at nights, chatting away with friends became a habit. Recall those years when bunking college and sneaking into movie halls was more exciting than books. Recall those years when you were completely clueless and aimless about the vocation you wanted to pursue once you graduated… That indecisive phase when you were hesitant to take that first big step in life can never be erased from your memory.

    WAKE UP SID, directed by debutante Ayan Mukerji, is like revisiting those years that lay at some remote corner of your mind, after you moved on in life.

    Actually, WAKE UP SID is a slice of life film. It's not merely real in concept, but has also been told most realistically, so much so that you can't help but draw parallels with your life or with someone you know. But what really makes WAKE UP SID most believable is Ranbir Kapoor, who's mastered the craft at such a young age.

    Verdict? WAKE UP SID mirrors those years with flourish. This one's a simple story that strikes a chord instantly. Strongly recommended!

    WAKE UP SID tells the story of Siddharth aka Sid [Ranbir Kapoor], a lazy, unmotivated slacker from Mumbai whose life undergoes a series of changes after taking his final year college exams. Sid's world is breezy, carefree and without any true responsibilities.

    Sid thrives around his two best friends, Rishi [Namit Das] and Laxmi [Shikha Talsania], very rarely communicates with his mother Sarita [Supriya Pathak] and takes his father Ram Mehra [Anupam Kher] and all his hard-earned wealth for granted. Despite all these traits, Sid is an honest boy; sweet, funny and above all, a good friend.

    Aisha Bannerjee [Konkona Sen Sharma], an aspiring writer from Kolkata, learns this soon enough when her path crosses with Sid's on her first day in Mumbai. Ambitious, well-read and driven, Aisha has come to Mumbai to realize her dreams as a writer. Despite their contrasting personalities, Sid becomes Aisha's first friend in the city.

    As Aisha sets up her life in Mumbai, with the help of Sid and his gang, Sid allows for time to fly by over long drives, parties that stretch well into dawn, and endless hours doing absolutely nothing. But a series of circumstances and events compel him to take stock of his life and take a hard look at himself.

    Let's not compare WAKE UP SID with anything you've watched before. Not DIL CHAHTA HAI. Not LAKSHYA either. Debutante director Ayan Mukerji narrates a story that you can relate to instantly and treats it with utmost care. A few moments linger in your memory and evoke bitter-sweet memories.

    The first hour, right till the intermission, sweeps you off your feet. You get drawn into Sid's world instantaneously; you react to everything he does. But the post-interval portions slackens, courtesy the writing. The Rahul Khanna track, for instance, looks half-baked. Also, the story stagnates after a point and hence, the pacing gets very slow. It's only towards the finale that things perk up. Ideally, the film could've done with some trimming in this hour.

    Ayan Mukerji packs in a solid punch in most parts of the film. The emotional moments especially gets you all moist-eyed. The humour too is well integrated in the sequences. Even the confrontation between the father and son is superb. Prior to that Konkona's birthday sequence is amongst the finest sequences of the film. Music [Shankar-Ehsaan-Loy] is melodious. Anil Mehta's cinematography is top notch. Niranjan Iyengar's dialogues are just right.

    There's no denying that Ranbir Kapoor is a supremely talented actor, but in WAKE UP SID, he proves that he's amongst the best in the business today. No one could've portrayed Sid as effectively as Ranbir has enacted, that's for sure. This is an award-worthy performance.

    Konkona is natural to the core and the best part is, she's so effortless. Here's another winning performance from this incredible performer. Anupam Kher is wonderful. Ditto for Supriya Pathak. Both shine in their respective parts. Namit Das and Shikha Talsania are perfect. Rahul Khanna doesn't get any scope.

    On the whole, WAKE UP SID is a well-made film that should strike a chord with the youth mainly. A metro-centric film, the film should attract its target audience and should also prove to be the first choice of the elite/urban audience this Friday. Its distributors [UTV] have very rightly released the film at plexes of metros and mini-metros [instead of flooding the market with physical and digital prints], which in turn should only make this small film talked-about in days to come. Thumbs Up!
    Source URL: https://threemoonsevolving.blogspot.com/search/label/Dharma%20Productions
    Visit Future Design Interior for daily updated images of art collection

Kurbaan - First Look

Kurbaan - First Look

Rains stop Khan

Rains stop Khan