She grooves to a remix of the classic song 'Apni Toh Jaise Taise' in 'Housefull'
Jacqueline Fernandes' career as a heroine didn't start off with a bang (we're still reeling from her turn in 'Aladdin'), and she's stunned us with her single smiley expression in 'Jaane Kahan Se Aayi Hai'. But she might just have found her niche now. Jacqueline features in the remix of the classic song 'Apni Toh Jaise Taise' in the upcoming Akshay Kumar starrer 'Housefull', and we have to admit she looks quite stunning. She goes all out-glam in the song and dances with Akshay and Riteish Deshmukh. The music's by Shankar Ehsaan Loy, and the choreography is by Farah Khan. So we hope to see a dancing side of Jacqueline that's more fun than watching her act.
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I've always said, box-office is most unpredictable and that's the beauty of this business. The industry was confident that Kumar Taurani's PRINCE, starring Vivek Oberoi and directed by debutante Kookie Gulati, would embark on a thanda start at the ticket window, but its excellent start caught the industry completely unaware. The opening shows were in 50% to 70% range and at places, even better [packed to capacity].
Love stories seem to be the fav genre of dream merchants here. I've a hunch, if we ever do a count of romantic films made in Bollywood, it would easily score over other genres. The question is, how innovative can a love story get in today's times? Milap Zaveri provides the answer: Man from Earth, woman from Venus.
But the problem arises when the focus shifts to the prem kahani in its second half. For, the story follows the trodden path [it becomes a love triangle] and embarks on the same old route that all love stories usually embark upon. If Milap had the courage to think out of the box, he should've ensured that the film remained true to its essence. Why didn't he think of an equally wacky second hour? 
Milap tickles your funny bone at the very outset. The story of a loser, his search for true love, his 'naughty' father, his 'oversexed' friend and his experiences at his work place [on a film set] bring a constant smile on your face. In fact, one of the key factors why the first half works is because the casting is just right and the actors carry off the assigned roles so well. 
Riteish enacts his part efficiently. That he's at home in comedy is well-known by now, but the actor is equally at ease in emotional moments and also romantic sequences. Jacqueline is easy on the eyes. In fact, she seems more comfortable this time. Vishal Malhotra is superb and contributes enormously in making the proceedings lively. Ruslaan carries the teen heart-throb look very well. Sonal Sehgal is competent. 
